Monday, June 12, 2017
The Last Temptation of Christ (Martin Scorsese, 1988)
The King of Kings (1927), in which the Magdalene and Judas are lovers and Mark, the author of the eponymous Gospel, is shown to have been a beneficiary of one of Jesus's miracles. It's the concluding "temptation" section, adapted from the novel by Nikos Kazantzakis, that tends to drag and become over-talky. Dafoe unfortunately reinforces the blue-eyed blond stereotype of movie Jesuses, and Keitel's Brooklyn accent might have been toned down more, but both actors perform with conviction. Most of the roles are played by American actors, including Verna Bloom as Mary, Jesus's mother, and Harry Dean Stanton as Saul/Paul, so it's something of a neat touch to hear a British accent from the occupying Romans, represented by Pontius Pilate, played very nicely and dryly by David Bowie. Satan, too, is a Brit, at least to judge by the accent of Juliette Caton, who plays his embodiment as the faux guardian angel in the temptation scenes. The Last Temptation received only one Oscar nomination -- for Scorsese, perhaps as a way of acknowledging his role at the eye of the controversy -- but it certainly deserved notice for Michael Ballhaus's cinematography and especially for Peter Gabriel's superb score, for which he brought together an impressive collection of musicians from around the world.